“That feeling you pursue when you’re creating, when the world is opening up and things are on the cusp of beauty and revelation, but it’s just out of reach—that to me, is the ideal feeling of existing,” says John Rossiter, singer and guitarist of the LA-based art rock quartet Young Jesus. “And to maintain that in the face of depressing or difficult stuff—that’s what I’d like to be able to do.” This pursuit is what drives Young Jesus, and is what’s documented on their upcoming record The Whole Thing Is Just There. On The Whole Thing, Young Jesus combine a palette of indie rock instrumentation with a spirit of unhindered spontaneity to construct—and deconstruct—emotionally potent and inventive sonic landscapes. A Chicago transplant, Rossiter’s distinct songwriting approach is informed in part by the city’s emo and post-rock traditions. But since his move to Los Angeles in 2013, his bandmates—experimentally-minded keyboardist Eric Shevrin, bassist/composer Marcel Borbon, and jazz-head drummer Kern Haug—have all brought their tastes to bear on the band’s sonic identity. Imbued with a sense of both desperation and discovery, each track unfolds like a deep sea voyage: beginning on the familiar ground of a conventional song structure before setting sail for the open waters of instrumental experimentation and plumbing the depths of the unknown in search of some conceptual treasure before heading back to port. With soaring melodies, spiraling polyrhythms, free-wheeling improvisation, and a raw, stirring vocal performance from Rossiter, The Whole Thing Is Just There is both prismatic and resolute—the sound of four individuals in pursuit of a common goal: to glimpse what’s just beyond.