Since releasing their debut album in 1998, Snow Patrol has gone on to be one of the biggest acts in the world. With over 10 million global album sales, 1 billion global track streams, 5 UK Platinum awards, 6 BRIT Award nominations, 1 GRAMMY nomination, 1 Mercury Music-Prize nomination, a massive and passionate fan base, the band is back with their 7th album, Wildness, out 5/25. Wildness follows Snow Patrol's 2011 record, Fallen Empires, and finds the group reuniting with longtime producer Jackknife Lee.
Vinyl LP pressing. 2018 release. Twenty-eight years ago, pissed-off twelve-year-olds around the universe discovered a new planet, a Black Planet. Public Enemy's aggressive, Benihana beats and incendiary lyrics instilled fear among parents and teachers everywhere, even in the border town of Laredo, Texas, home of the future founders of the Latin-Funk-Soul-Breaks super group, Brownout. The band's sixth full-length album Fear of a Brown Planet is a musical manifesto inspired by Public Enemy's music and revolutionary spirit. Chuck D., the Bomb Squad, Flava Flav and the rest of the P.E. posse couldn't possibly have expected that their golden-era hip hop albums would sow the seeds for countless Public Enemy sleeper cells, one that would emerge nearly three decades later in Austin, Texas. Translating sample-based music to a live band turned out to be more of a challenge than they anticipated. Coming off numerous tours as Brown Sabbath and even a stint backing the late legend Prince, Brownout is arguably the tightest and funkiest band on the road today and they're psyched to bring this revolutionary music to the people. For a band without an overt political agenda, they collectively couldn't resist the opportunity to play this music live, especially now.
Ornette Coleman recorded one of the greatest bodies of work in jazz during a 22-month-long burst of creativity. Between 1959 and 1961, the saxophonist and composer released six studio albums on Atlantic Records that helped usher in the avant-garde, free jazz movement.
On most of his Atlantic albums, Coleman recorded with a quartet that included trumpeter Don Cherry, plus either Charlie Haden or Scott LaFaro on bass, and either Billy Higgins or Ed Blackwell on drums. One notable exception is Free Jazz, a ground-breaking single-track album where Coleman led a double quartet through a nearly 40-minute collective improvisation. The stereo mix used for the album separates the quartets into different channels; one on the right and the other on the left.
Jeremy Enigk performed with legendary indie rock band Sunny Day Real Estate from 1993 to 2000. He was their singer, songwriter, and one of their guitarists. In 1996, following Sunny Day Real Estate’s first breakup (which lasted from 1995 to 1997), Enigk released his first solo album, Return of the Frog Queen. Return of the Frog Queen represents a major shift from the sound of Sunny Day Real Estate. The album features a 21-piece orchestra backing Enigk as he performs striking, dramatic, chamber-pop compositions that demonstrate the full breadth of Enigk’s talents as a singer, musician, and songwriter. The album was produced by Greg Williamson, who also produced Sunny Day Real Estate’s 1998 comeback album, How it Feels to Be Something On.
Produced by Grammy award-winning producer, engineer & mixer John Congleton - who has worked with everyone from St. Vincent to Modest Mouse, Amanda Palmer to Laurie Anderson and Brian Wilson to The War on Drugs - at L.A.'s famed Sunset Sound, Spring captures that eclecticism.
Produced by Chris Bond (Ben Howard, Tom Speight) and mixed by Tim Palmer (Pearl Jam, David Bowie, U2), Xavier Rudd's forthcoming album Storm Boy - his ninth studio album, and first solo album in six years - showcases his incomparable songwriting craftsmanship and is an impressive addition to his ever-growing legacy.
Wide Awake! is New York’s Parquet Courts’ fifth record since their formation eight years ago. It’s also their most groundbreaking. It’s an album about independence and individuality but also about collectivity and communitarianism. Love is at its center. There’s also a freshness here, a breaking of new territory that’s testament to the group’s restless spirit. In part, this may be attributed to the fact that it’s produced by Brian Burton, better known as Danger Mouse, but it’s also simply a triumph of their songwriter’s art. The songs, written by Austin Brown and Andrew Savage, are filled with their traditional punk rock passion, as well as a lyrical tenderness, but are elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass). Ultimately then the message contained in Wide Awake! is complex. “In such a hateful era of culture, we stand in opposition to that — and to the nihilism used to cope with that — with ideas of passion and love,” Brown says. For Savage, it comes back to the deceptively complex goal of making people want to dance, powering the body for resistance through a combination of groove, joy, and indignation, “expressing anger constructively but without trying to accommodate anyone.” “The most exhilarating exercise from New York’s reigning indie-rockers laureate since their legend-making “Stoned and Starving” – as if you didn’t already have reason enough to be on high alert for Wide Awake!” – Stereogum “An urgent, fantastic return that sees the band at the very top of their game, and more together than ever” – DIY Mag
The fact that Stephen Malkmus & The Jicks have thrived, rather than simply endured, over 17 years and delivered six albums of buzzy, sub-cultural significance, constitutes an impressive legacy. The challenge with album number seven is one that any successful band with integrity faces: how to safeguard that legacy and hold on to their identity without rehashing old ground (unthinkable), and also say something meaningful while (crucially) having fun doing it? With Sparkle Hard, Malkmus, Mike Clark (keyboards), Joanna Bolme (bass) and Jake Morris (drums) do exactly that. It’s light ’n’ breezy, head-down heavy, audacious, melancholic and reflective, goodtime and bodacious, and it pulls off the smartest trick: it’s both unmistakeably The Jicks and – due to the streamlining of their trademark tics and turns, plus the introduction of some unexpected flourishes (Auto-Tune! A fiddle! Guest vocalist Kim Gordon! One seven-minute song with an acoustic folk intro!) – The Jicks refashioned. If 2014’s Wig Out At Jag Bags balanced the lengthy prog workouts of Pig Lib with Mirror Traffic’s sparky pop moments, then Sparkle Hard bears less obvious direct relation to what’s come before. It also has turbocharged energy and enthusiasm by the truckload.
Santa Rosa Fangs is critically acclaimed California-based singer/songwriter Matt Costa’s new full-length, his first in five years. The album was produced by Peter Matthew Bauer (The Walkmen) and Nick Stumpf (French Kicks). The tale of Santa Rosa Fangs centers around a young woman named Sharon, her two brothers Ritchie and Tony, and their story of love, loss, and coming of age in a timeless yet contemporary California. It is replete with long distance love affairs and nostalgic romances woven through the loom of tragedy and time.
Otis Redding was on top of the world in 1967, highlighted by a career-defining performance at the Monterey Pop Festival. Returning to Memphis that fall, Redding began to explore different musical influences when he entered the studio to record his next album. Tragically, those sessions were cut short after only a few weeks when the singer died in a plane crash on December 10, 1967, leaving his vision for the album unrealized. While there will never be a definitive idea of what Redding’s next album would have been, this new collection is the first to show what could have been.
Rhino will release DOCK OF THE BAY SESSIONS as part of the ongoing 50th anniversary celebration of “(Sittin’ On) The Dock of the Bay.” This Friday, March 16, marks the actual 50th anniversary of the legendary single topping both the pop and R&B charts in 1968 and becoming Redding’s first #1 hit.
Following the success of his multi-platinum, Grammy-nominated debut album, Chaos & The Calm, James Bay to release highly anticipated album, Electric Light, on 5/18 via Republic Records. Album includes current single “Wild Love,” which recently entered Top 20 at Hot AC radio & continues to gain traction. James will headline a SOLD-OUT US tour, which will launch on 3/25 in Seattle. Additionally, there will be multiple media appearances & performances to support the album, including a major look on SNL.
On May 18, Ohio-based band The Sidekicks will release their fifth album, Happiness Hours. Nearly three years in the making, Happiness Hours follows 2015’s critically acclaimed Runners in the Nerved World.
Produced, engineered, and mixed by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile), Happiness Hours features some of the sunniest, most ebullient songs The Sidekicks have ever recorded—all ringing guitars, charging drums, and soaring vocals. That dynamic is more than apparent on the infectious lead single “Twins Twist,” which premieres today.
With its warm harmonies and shining melody, bouncing groove and bittersweet lyrics, “Twins Twist” also reveals the more narrative-driven direction that The Sidekicks pursued in creating Happiness Hours. As vocalist/guitarist Steve Ciolek explains, those narratives reach squarely toward a kind of universal experience.
“They are relative to my life, but they aren’t just about me,” says Ciolek, whose bandmates include drummer Matt Climer, guitarist/vocalist Toby Reif, and bassist/vocalist Ryan Starinsky. “Unlike when you’re a kid, when every song has to be about falling in love or breaking up—about me, me, me—you get to a point when you really want your art to be inclusive. You want everyone to be able to locate themselves somehow in your songs.”
Bodysong. is Jonny Greenwood’s first original score for a film, and makes up the soundtrack to a BAFTA winning documentary film of the same name, directed by Simon Pummell. Originally released in 2003, the reissue has been remastered by Christian Wright. With artwork by Stanley Donwood. Available on single gatefold LP and CD. Radiohead play sold out shows across North America this summer (including 4 sold out nights at NYC’s Madison Square Garden) . Beyond Bodysong, Jonny Greenwood has also scored: Paul Thomas Anderson films: There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) for which he was nominated for an Oscar Along with these additional films: Norwegian Wood (directed by Tran Anh Hung) - 2019 We Need To Talk About Kevin (directed by Lynne Ramsay)- 2011 You Were Never Really Here (directed by Lynne Ramsay) - 2017 “Experience the sound of a life as imagined by Jonny Greenwood, all in the span of 45 minutes.” Paste Magazine “Bodysong boasts an abundance of forward-looking ideas and possibilities, a conversation between melody and cacophony that can provoke with finesse. Not only a worthy side project from one of the most popular groups in the world today, but a valuable addition to the petite canon of successful rock soundtracks that lives and breathes on its merits alone.” Pop Matters “A collage of shimmering, impressionistic strings and pianos that occasionally give way to lightly rocking acoustic guitar interludes, Stockhausen-esque cacophonies and Penderecki-inspired discord. One moment can sound like a church organ, another a Twenties jazz party.” Rolling Stone
7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House
Marian Hill’s sophomore album ‘Unusual’ evolves the sonic and soulful adventure Samantha Gongol and Jeremy Lloyd began on their debut album ‘Act One’ & breakthrough platinum single ‘Down,’ which reached Top 10 on Top 40 radio and Top 25 on the Billboard Hot 100 charts. The duo is already confirmed for highly coveted performances at the Coachella and Firefly Music Festivals & a spring headline tour, which launches in April!
Ry Cooder’s first new release in six years, The Prodigal Son, is all America, our spiritual, hopeful voices, our raw cries and our sly provocations, voiced through the songs of the Pilgrim Travelers, The Stanley Brothers, Blind Willie Johnson, and Ry Cooder himself.
180 gram black vinyl includes a download card.
Los Angeles has often been described as a “dream factory”--both a mecca where dreamers converge to pursue long-held aspirations, and a topography of hallucinogenic contradictions: enchanting tangerine sunsets diffused by smog, crystal-clutching spiritualists mingling with deep-pocketed narcissists, rows of scenic palms competing with garish billboards for commuters’ attention. It was against this backdrop that the four members of La Luz--singer/guitarist Shana Cleveland, drummer Marian Li Pino, keyboardist Alice Sandahl, and bassist Lena Simon--conceived of Floating Features, the band’s third studio album. For this, their most ambitious release yet, La Luz consulted landscapes both physical and psychological. References to dreams abound on Floating Features. “Loose Teeth” catalyzes nightmare fuel into a propulsive, intentionally-disorienting collision of honeyed harmonies and Takeshi Terauchi-esque jetstreams of distorted surf guitar. “Mean Dream” unsurprisingly mines dreamstate imagery, and the lyrics and melody for “Walking Into the Sun” actually came to Cleveland during a particularly-vivid night of deep sleep. Looming over the album’s coterie of surreal figures (gargantuan cicadas, a monstrous “Creature,” The Sun King, aliens, the titular “Lonely Dozer”) is the magnificent “Greed Machine,” a skulking, insatiable engine of consumption--Nathanael West’s “business of dreams” fearsomely manifested. To bring these visions to stereophonic life, La Luz pivoted from the DIY trailer-park brio of It’s Alive and the gritted-up urgency of Weirdo Shrine toward lush, hi-fidelity production value. Li Pino’s drums have never sounded more thunderously muscular, Simon’s basslines more robust-yet-agile, Sandahl’s organ melodies more complementary, Cleveland’s layers of guitar more versatile, or the group’s trademark harmonies more bewitching and rapturous. For every one of Floating Features’ seismic crescendos, there are just as many small, evocative details coloring its somnambulist soundscape. Only La Luz could conjure up Floating Features’ Leone-on-LSD vibes, and the album finds the L.A. band at the height of their powers--golden rebels in a golden dream.
Simian Mobile Disco return with their 5th album and, never a pair of men to rest on their laurels, James Ford and Jas Shaw have switched things up this time by choosing to collaborate with London's all-female, Deep Throat Choir. The end result is SMD's most lush and sumptuous music to date - combining their unparalleled production talents across layers of synths & percussion with Deep Throat Choir's unique brand of choral vocals. From more song-based forms such as "Hey Sister" or "Caught In A Wave" to tracks like "A Perfect Swarm" or "V Formation" where the duo directed the choir to create drones and phrases that they could then work into their more techno-based productions. Murmurations is a thrilling return from Simian Mobile Disco. 2xLP includes download code.
Recorded at Nashville's RCA Studio A with Grammy Award-winning producer Dave Cobb, the album features eleven songs including "King of Alabama."Already receiving acclaim, NPR Music's Ann Powers praises, "Cobb, a troubadour whose classic country-rock songs are enhanced by his warm heart and keen eye, tells Mills' story with grace and discretion, as does the charming animated video...Cobb kicks out a Keith Richards-in-Muscle Shoals riff on his acoustic guitar and it melds perfectly with the organ to form a foundation that's pure, easy locomotion. Each verse follows another like the stretch of blacktop between exits, resolving in a chorus that's breezy and uplifting without unsettling the song's groove. Far from maudlin, Cobb's tribute does exactly what Mills did: it keeps on rocking, headlights on, until the last note."
Available on 180gm bone-coloured vinyl and CD. Back in November last year, psych-rock overlords King Gizzard & The Lizard Wizard announced they'd be giving away Polygondwanaland - their fourth LP of the year - for free and for everyone to do with as they please. Naturally, it was pretty inevitable that it was to be given the Fuzz Club treatment. Priding themselves on high-quality vinyl pressings, Fuzz Club have created a must for audiophiles and record collectors alike. The lacquer was cut at half-speed by engineer-extraordinaire Miles Showell (The Beatles, Rolling Stones, The Who) over at Abbey Road Studios, which means that every tiny little detail of King Gizzards wonky, hedonistic sonic prowess has made its way into the record's grooves. Not only will it sound absolutely incredible but it'll also look the part too. With alternative artwork, the LP is housed in a deluxe tip-on gatefold jacket with printed inner-sleeves and glued inside the gatefold will be a 16-page booklet which includes lyrics and a bunch of reworked illustrations taken from the original artwork provided by the band. Aside from all of that, Polygondwanaland also happens to be the Australian band's finest record to date. Whilst on their previous albums they've dealt in everything from jazz, soul and folk through to krautrock, stoner and doom, on this collection of tracks the Australian heavyweights hone their batch to psych-freak-outs into ten mind altering prog-tainted jams
Jonathan Wilson had a busy 2017, producing Father John Misty's grammy-nominated Pure Comedy and touring arenas around the globe as a guitarist and vocalist for Pink Floyd legend Roger Waters (for whom he also contributed to the lauded Is This The Life We Really Want? album.) Wilson also saw widespread acclaim heaped on Karen Elson’s sophomore LP Double Roses, which he recorded with her in Los Angeles in 2016.
But it's not looking like Wilson is going to get much of a rest in 2018 either, as he'll be continuing on with the worldwide Waters tour and is set to release his own new solo album Rare Birds in the spring. The highly anticipated long player - which features backing vocals from Lana Del Rey, Josh Tillman, fellow Roger Waters bandmates Lucius and an extraordinary musical gift from otherworldly Brian Eno collaborator Laraaji - will be released through Bella Union worldwide.
Moosebumps: An Exploration Into Modern Day Horripilation is the incredible follow up album to the classic, critically acclaimed 1996 Dr. Octagon release Dr. Octagonecologyst, the inspired musical collaboration of legendary artists/producers Dan “The Automator”, MC Kool Keith & turntablist DJ Q-Bert. For the first time in 22 years Moosebumps reunites the dream team in studio & on stage! Features appearance from frequent Automator collaborator Del The Funky Homosapien on “3030 Meets The Doc Pt.1”.
Eminem returns with his highly anticipated ninth album Revival. Production was handled by various record producers, including Rick Rubin, Skylar Grey, Eminem himself, and executive producer Dr. Dre. The albnum features guest appearances from artists Beyoncé, Phresher, Ed Sheeran, Alicia Keys, X Ambassadors, Grey, Kehlani, and Pink.
MATT and KIM’s sixth studio album ALMOST EVERYDAY includes guest vocals from the band’s friends including Mark Hoppus, Clairo, King Tuff, Flosstradamus, Santigold and more. Known for their infectious, beat-driven anthems and explosive live shows, this new album breaks the silence after a year-long break from touring and 2016’s WE WERE THE WEIRDOS – a surprise 4-track EP produced during the week between the band’s two performances at Coachella. Out now on FADER Label.
Grammy® Award-winning band Ghost will release a live album entitled Ceremony And Devotion on CD and vinyl on January 19, 2018. The album was recorded during the band’s critically exalted Popestar tour during the summer of 2017. Ceremony and Devotion was produced and mixed by Tom Dalgety and features fan favorites spanning the band’s entire catalogue from Opus Eponymous (2010) to Infestissumam (2013) to Meliora (2015) to the Popestar EP (2016).
Neil Young reteams with Promise of the Real for a new album titled The Visitor, their second studio LP together following 2015's The Monsanto Years. From 'Time Fades Away II' to 'Homegrown' and Crazy Horse's killer 2003 Bonnaroo set, a look at the best of Young's overflowing vault the album, due out December 1st, comes just three months after Young released Hitchhiker, his long-lost LP of acoustic songs recorded over one night in August 1976. Young and Promise of the Real also shared the album's first single "Already Great," a rumbling, tongue-in-cheek response to Donald Trump's "Make America Great Again" campaign slogan. The singer previously denied Trump's use of "Rockin' in the Free World" during the 2016 presidential campaign and roared "Fuck you, Donald Trump" onstage during a June 2016 concert. "You're already great / You're the promised land / You're the helping hand," Young sings to the U.S. on the chorus. The track ends with a repeated chant of "Whose streets? Our streets!," a popular rallying cry at recent protests.
When asked to describe the title track from his new record, Kyle Thomas—aka King Tuff—takes a deep breath. “It’s a song about hitting rock bottom,” he says. “I didn’t even know what I wanted to do anymore, but I still had this urge—this feeling—like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that’s what songwriting, and art in general, is about. You’re chasing something, there is something out there calling to you and you’re trying to get at it. ‘The Other’ is basically where songs come from, it’s the hidden world, it’s the mystery. It’s the invisible hand that guides you whenever you make something. It’s the thing I had to rediscover—the sort of voice I had to follow—to bring me back to making music again in a way that felt true and good.”
February 2018 sees the return of Field Music with their sixth album, Open Here. The two years since Commontime have been strange and turbulent. If you thought the world made some kind of sense, you may have questioned yourself a few times in the past two years. And that questioning, that erosion of faith - in people, in institutions, in shared experience - runs through every song on the new Field Music album. But there's no gloom here. For Peter and David Brewis, playing together in their small riverside studio has been a joyful exorcism. Open Here is the last in a run of five albums made at the studio, an unprepossessing unit on a light industrial estate in Sunderland. Whilst the brothers weren't quite tracking while the wrecking balls came, the eviction notice received in early 2017 gave the brothers a sense of urgency in the recording of Open Here.
11th studio album from D.C. based electronic duo featuring artists: Mr. Lif, Sitali, Racquel Jones, Notch, Natalia Clavier, and Lou Lou Ghelichkhani. The 12 track Treasures from the Temple is a continuation from their last album Temple of I & I, recorded in Port Antonio. Blending their signature sound with classic dub, dancehall, and roots vibes. Download Card
New York native songwriter and composer Greta Kline has shared a bounty of her innermost thoughts and experiences from the past six years through the almost inconceivable number of songs she has released since 2011. Like many of her peers, Kline’s prolific creative output was initially born out of an era where bedroom recording and self-releasing became more possible than ever through the advent of the internet. But as she’s grown as a writer and performer, playing to larger audiences and devising more complex albums, Kline has shifted from an artist who’s made strides despite limitations, to an artist whose impact can be seen across modern independent music. Her newest record, Vessel, which will be out spring 2018 through Sub Pop Records, is the 52nd release from Kline and the third studio album by her indie pop outfit Frankie Cosmos. On it, Kline explores all of the changes that have come in her life as a result of the music she has shared with the world for the past half-decade, as well as the parts of her life that have remained irrevocable.
Fresh off their critically acclaimed debut Guppy and between nationwide touring stints with Wolf Parade, Barsuk Records is pleased to reissue Charly Bliss' Soft Serve, the three-song EP the band orignally self-released in 2015 along with an accompanying video and comic book trilogy. Soft Serve will be available at retailers for the first time and will be limited to 1,000 copies worldwide, hand-numbered and on marbled vinyl with colored specs and a download code. Eva Hendricks, the band's charismatic singer/guitarist, and guitarist/vocalist Spencer Fox met at NYC's Webster Hall when they were 15, and soon began writing songs together over AOL Instant Messenger. They were later joined by drummer Sam Hendricks (Eva's older brother) and bassist Dan Shure, and went on to release Soft Serve. With critics beginning to take note, the band turned heads everywhere by opening for Veruca Salt, Sleater-Kinney, Tokyo Police Club, Glass Animals, Darwin Deez and more before signing to Barsuk Records and releasing their critically acclaimed debut album Guppy in April of 2017.
“My Morning Jacket frontman Jim James returns with Tribute To 2, a collection of cover songs that reverberate with hope and blur the boundaries of time and genre. James interprets songs made famous by a wide variety of artists including songs from from The Beach Boys, Sonny and Cher, Dianne Izzo, Ray Noble and Al Bowlly, Elvis Presley, Willie Nelson, Bob Dylan, Emerson Lake and Palmer, Abey Lincoln.”
New Vinyl: $99.98 $89.98 Buy
The next installment in the award-winning Bootleg Series, 'Trouble No More - The Bootleg Series Vol. 13 / 1979-1981', focuses on the albums 'Slow Train Coming' (1979), 'Saved' (1980) and 'Shot of Love' (1981) and the legendary live shows from that period.
30 highlights from the legendary 1979, 1980 and 1981 tours
180 grams vinyl
Packaged in a slipcase with separate booklet
New Vinyl: $49.98 $44.98 Buy
A new Belle and Sebastian release is always something to cheer. So three new releases leads to the inevitable conclusion: three cheers! Here is the latest installment in a career that has always pursued a singular and delightful vision of what pop represents and what it can achieve, a career that has seen them triumph against the odds to win a Brit award, be one of the first bands to curate their own festival, and play at the official London residence of the US ambassador (the last president’s ambassador, not the current one’s). Murdoch, as ever, is not the only writer. Sarah Martin (violin/vocals) brought in the delicious ‘The Same Star’, which marries Belle and Sebastian’s melodiousness to a pounding Motown backbeat, and was produced by Leo Abrahams (Ghostpoet, Wild Beasts, Regina Spektor). “We’d met Leo in February of 2016, and I’d say that meeting and the recording of ‘I’ll Be Your Pilot’ were the first tangible steps of this EP project,” Martin says. “We didn’t have a stack of songs to play him, but we liked him and he became a part of the plan from that point - and when I’d got to a point with ‘The Same Star’ where it just needed to be recorded, I thought it could benefit from having a producer to steer things, and fortunately we had a slot in the diary marked ‘Leo’ coming up. It’s not a song we’d laboured over playing for months - it fell together quite quickly thanks in large part to Bob’s [Bobby Kildea, guitarist] enthusiasm and Stuart’s willingness to dismember an old song and repurpose the break, so that it wasn’t just the same three chords over and over and over.” There’s one big reason why 15 songs are coming out on three EPs, rather than one album. “We’d made a couple of LPs, Tigermilk and If You’re Feeling Sinister, within the space of six months,” Murdoch says, remembering the early days of the band’s career, and how that fed into their decision-making this time.
On March 9TH, 2018 Stax Records will release Tearing at the Seams, the highly anticipated new album from Nathaniel Rateliff & The Night Sweats. Tearing at the Seams follows the band’s critically and commercially lauded self-titled debut album, which is certified GOLD in the U.S., Belgium, Switzerland and the Netherlands, Platinum in Canada and Silver in the U.K.
In addition to the 12-track standard edition, Tearing at the Seams will be available in a 14-track deluxe edition that features two bonus tracks and exclusive photos. Vinyl editions include the (2-disc, 180gram) 12-track standard edition and the (2-disc, 180gram) 14-track deluxe edition, which features an exclusive photo book and special 7” single.
The DELUXE EDITION builds on the original with 15 bonus tracks released for the first time, including alternate versions of tracks “I Got You” and “Say You Miss Me.” Also included are four songs the band played on radio station KCRW on November 13, 1996. As a touring band, many of these songs can be found on Wilco’s current set-list as notable fan favorites that have evolved over the years.
Sooner than most, Parker Millsap has learned to trust the process. Now four albums in at the ripe age of 24, the Oklahoma-born singer-songwriter has earned the chance to live his life as a professional musician. His work has been hailed by global audiences and industry alike while taking him to esteemed stages around the world. His three prior full-length releases -- 2012's Palisade, 2014's self-titled LP, and 2016's The Very Last Day -- showcased a primal mastery of acoustic folk rock, with their flourish for revelation and fiery dynamics, all recorded with extreme precision, purpose, and efficiency. But as he began work last year on his new album, Other Arrangements, Millsap opted for a change, allowing himself the time and space to let the work evolve in a new and distinct light. The result is his most accessible collection of songs to date, as Other Arrangements is filled with tunes whose inspiration trades divinity for ubiquity -- and some you can even dance to.
Between Two Shores is the third solo release from acclaimed singer-song writer Glen Hansard.
Glen Hansard has built a career, now over 2 decades strong, on struggle. His impassioned songs mostly veer between the exhausting struggle to make it professionally and the numbing struggle to keep the affections of a romantic partner. Pick up any Frames or Swell Season record, or his first two solo releases, 2012’s Rhythm and Repose, and 2015’s Didn’t He Ramble to find him chipping away at those two pillars.
Acclaimed Japanese producer, composer, and recording artist Cornelius first proper studio album in over 11 years, featuring the singles If You're Here, Sometime / Someplace, and In a Dream. 180g black vinyl gatefold LP