Santa Rosa Fangs is critically acclaimed California-based singer/songwriter Matt Costa’s new full-length, his first in five years. The album was produced by Peter Matthew Bauer (The Walkmen) and Nick Stumpf (French Kicks). The tale of Santa Rosa Fangs centers around a young woman named Sharon, her two brothers Ritchie and Tony, and their story of love, loss, and coming of age in a timeless yet contemporary California. It is replete with long distance love affairs and nostalgic romances woven through the loom of tragedy and time.
Otis Redding was on top of the world in 1967, highlighted by a career-defining performance at the Monterey Pop Festival. Returning to Memphis that fall, Redding began to explore different musical influences when he entered the studio to record his next album. Tragically, those sessions were cut short after only a few weeks when the singer died in a plane crash on December 10, 1967, leaving his vision for the album unrealized. While there will never be a definitive idea of what Redding’s next album would have been, this new collection is the first to show what could have been.
Rhino will release DOCK OF THE BAY SESSIONS as part of the ongoing 50th anniversary celebration of “(Sittin’ On) The Dock of the Bay.” This Friday, March 16, marks the actual 50th anniversary of the legendary single topping both the pop and R&B charts in 1968 and becoming Redding’s first #1 hit.
Following the success of his multi-platinum, Grammy-nominated debut album, Chaos & The Calm, James Bay to release highly anticipated album, Electric Light, on 5/18 via Republic Records. Album includes current single “Wild Love,” which recently entered Top 20 at Hot AC radio & continues to gain traction. James will headline a SOLD-OUT US tour, which will launch on 3/25 in Seattle. Additionally, there will be multiple media appearances & performances to support the album, including a major look on SNL.
On May 18, Ohio-based band The Sidekicks will release their fifth album, Happiness Hours. Nearly three years in the making, Happiness Hours follows 2015’s critically acclaimed Runners in the Nerved World.
Produced, engineered, and mixed by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile), Happiness Hours features some of the sunniest, most ebullient songs The Sidekicks have ever recorded—all ringing guitars, charging drums, and soaring vocals. That dynamic is more than apparent on the infectious lead single “Twins Twist,” which premieres today.
With its warm harmonies and shining melody, bouncing groove and bittersweet lyrics, “Twins Twist” also reveals the more narrative-driven direction that The Sidekicks pursued in creating Happiness Hours. As vocalist/guitarist Steve Ciolek explains, those narratives reach squarely toward a kind of universal experience.
“They are relative to my life, but they aren’t just about me,” says Ciolek, whose bandmates include drummer Matt Climer, guitarist/vocalist Toby Reif, and bassist/vocalist Ryan Starinsky. “Unlike when you’re a kid, when every song has to be about falling in love or breaking up—about me, me, me—you get to a point when you really want your art to be inclusive. You want everyone to be able to locate themselves somehow in your songs.”
Bodysong. is Jonny Greenwood’s first original score for a film, and makes up the soundtrack to a BAFTA winning documentary film of the same name, directed by Simon Pummell. Originally released in 2003, the reissue has been remastered by Christian Wright. With artwork by Stanley Donwood. Available on single gatefold LP and CD. Radiohead play sold out shows across North America this summer (including 4 sold out nights at NYC’s Madison Square Garden) . Beyond Bodysong, Jonny Greenwood has also scored: Paul Thomas Anderson films: There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) for which he was nominated for an Oscar Along with these additional films: Norwegian Wood (directed by Tran Anh Hung) - 2019 We Need To Talk About Kevin (directed by Lynne Ramsay)- 2011 You Were Never Really Here (directed by Lynne Ramsay) - 2017 “Experience the sound of a life as imagined by Jonny Greenwood, all in the span of 45 minutes.” Paste Magazine “Bodysong boasts an abundance of forward-looking ideas and possibilities, a conversation between melody and cacophony that can provoke with finesse. Not only a worthy side project from one of the most popular groups in the world today, but a valuable addition to the petite canon of successful rock soundtracks that lives and breathes on its merits alone.” Pop Matters “A collage of shimmering, impressionistic strings and pianos that occasionally give way to lightly rocking acoustic guitar interludes, Stockhausen-esque cacophonies and Penderecki-inspired discord. One moment can sound like a church organ, another a Twenties jazz party.” Rolling Stone
7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House
Marian Hill’s sophomore album ‘Unusual’ evolves the sonic and soulful adventure Samantha Gongol and Jeremy Lloyd began on their debut album ‘Act One’ & breakthrough platinum single ‘Down,’ which reached Top 10 on Top 40 radio and Top 25 on the Billboard Hot 100 charts. The duo is already confirmed for highly coveted performances at the Coachella and Firefly Music Festivals & a spring headline tour, which launches in April!
Ry Cooder’s first new release in six years, The Prodigal Son, is all America, our spiritual, hopeful voices, our raw cries and our sly provocations, voiced through the songs of the Pilgrim Travelers, The Stanley Brothers, Blind Willie Johnson, and Ry Cooder himself.
180 gram black vinyl includes a download card.
Los Angeles has often been described as a “dream factory”--both a mecca where dreamers converge to pursue long-held aspirations, and a topography of hallucinogenic contradictions: enchanting tangerine sunsets diffused by smog, crystal-clutching spiritualists mingling with deep-pocketed narcissists, rows of scenic palms competing with garish billboards for commuters’ attention. It was against this backdrop that the four members of La Luz--singer/guitarist Shana Cleveland, drummer Marian Li Pino, keyboardist Alice Sandahl, and bassist Lena Simon--conceived of Floating Features, the band’s third studio album. For this, their most ambitious release yet, La Luz consulted landscapes both physical and psychological. References to dreams abound on Floating Features. “Loose Teeth” catalyzes nightmare fuel into a propulsive, intentionally-disorienting collision of honeyed harmonies and Takeshi Terauchi-esque jetstreams of distorted surf guitar. “Mean Dream” unsurprisingly mines dreamstate imagery, and the lyrics and melody for “Walking Into the Sun” actually came to Cleveland during a particularly-vivid night of deep sleep. Looming over the album’s coterie of surreal figures (gargantuan cicadas, a monstrous “Creature,” The Sun King, aliens, the titular “Lonely Dozer”) is the magnificent “Greed Machine,” a skulking, insatiable engine of consumption--Nathanael West’s “business of dreams” fearsomely manifested. To bring these visions to stereophonic life, La Luz pivoted from the DIY trailer-park brio of It’s Alive and the gritted-up urgency of Weirdo Shrine toward lush, hi-fidelity production value. Li Pino’s drums have never sounded more thunderously muscular, Simon’s basslines more robust-yet-agile, Sandahl’s organ melodies more complementary, Cleveland’s layers of guitar more versatile, or the group’s trademark harmonies more bewitching and rapturous. For every one of Floating Features’ seismic crescendos, there are just as many small, evocative details coloring its somnambulist soundscape. Only La Luz could conjure up Floating Features’ Leone-on-LSD vibes, and the album finds the L.A. band at the height of their powers--golden rebels in a golden dream.
Simian Mobile Disco return with their 5th album and, never a pair of men to rest on their laurels, James Ford and Jas Shaw have switched things up this time by choosing to collaborate with London's all-female, Deep Throat Choir. The end result is SMD's most lush and sumptuous music to date - combining their unparalleled production talents across layers of synths & percussion with Deep Throat Choir's unique brand of choral vocals. From more song-based forms such as "Hey Sister" or "Caught In A Wave" to tracks like "A Perfect Swarm" or "V Formation" where the duo directed the choir to create drones and phrases that they could then work into their more techno-based productions. Murmurations is a thrilling return from Simian Mobile Disco. 2xLP includes download code.
Recorded at Nashville's RCA Studio A with Grammy Award-winning producer Dave Cobb, the album features eleven songs including "King of Alabama."Already receiving acclaim, NPR Music's Ann Powers praises, "Cobb, a troubadour whose classic country-rock songs are enhanced by his warm heart and keen eye, tells Mills' story with grace and discretion, as does the charming animated video...Cobb kicks out a Keith Richards-in-Muscle Shoals riff on his acoustic guitar and it melds perfectly with the organ to form a foundation that's pure, easy locomotion. Each verse follows another like the stretch of blacktop between exits, resolving in a chorus that's breezy and uplifting without unsettling the song's groove. Far from maudlin, Cobb's tribute does exactly what Mills did: it keeps on rocking, headlights on, until the last note."
Available on 180gm bone-coloured vinyl and CD. Back in November last year, psych-rock overlords King Gizzard & The Lizard Wizard announced they'd be giving away Polygondwanaland - their fourth LP of the year - for free and for everyone to do with as they please. Naturally, it was pretty inevitable that it was to be given the Fuzz Club treatment. Priding themselves on high-quality vinyl pressings, Fuzz Club have created a must for audiophiles and record collectors alike. The lacquer was cut at half-speed by engineer-extraordinaire Miles Showell (The Beatles, Rolling Stones, The Who) over at Abbey Road Studios, which means that every tiny little detail of King Gizzards wonky, hedonistic sonic prowess has made its way into the record's grooves. Not only will it sound absolutely incredible but it'll also look the part too. With alternative artwork, the LP is housed in a deluxe tip-on gatefold jacket with printed inner-sleeves and glued inside the gatefold will be a 16-page booklet which includes lyrics and a bunch of reworked illustrations taken from the original artwork provided by the band. Aside from all of that, Polygondwanaland also happens to be the Australian band's finest record to date. Whilst on their previous albums they've dealt in everything from jazz, soul and folk through to krautrock, stoner and doom, on this collection of tracks the Australian heavyweights hone their batch to psych-freak-outs into ten mind altering prog-tainted jams
Eminem returns with his highly anticipated ninth album Revival. Production was handled by various record producers, including Rick Rubin, Skylar Grey, Eminem himself, and executive producer Dr. Dre. The albnum features guest appearances from artists Beyoncé, Phresher, Ed Sheeran, Alicia Keys, X Ambassadors, Grey, Kehlani, and Pink.
Life is Good on the Open Road is the welcome return that the group's legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with an invigorated sense of purpose and the result shines brightly on Life is Good on the Open Road.
MATT and KIM’s sixth studio album ALMOST EVERYDAY includes guest vocals from the band’s friends including Mark Hoppus, Clairo, King Tuff, Flosstradamus, Santigold and more. Known for their infectious, beat-driven anthems and explosive live shows, this new album breaks the silence after a year-long break from touring and 2016’s WE WERE THE WEIRDOS – a surprise 4-track EP produced during the week between the band’s two performances at Coachella. Out now on FADER Label.
Sooner than most, Parker Millsap has learned to trust the process. Now four albums in at the ripe age of 24, the Oklahoma-born singer-songwriter has earned the chance to live his life as a professional musician. His work has been hailed by global audiences and industry alike while taking him to esteemed stages around the world. His three prior full-length releases -- 2012's Palisade, 2014's self-titled LP, and 2016's The Very Last Day -- showcased a primal mastery of acoustic folk rock, with their flourish for revelation and fiery dynamics, all recorded with extreme precision, purpose, and efficiency. But as he began work last year on his new album, Other Arrangements, Millsap opted for a change, allowing himself the time and space to let the work evolve in a new and distinct light. The result is his most accessible collection of songs to date, as Other Arrangements is filled with tunes whose inspiration trades divinity for ubiquity -- and some you can even dance to.
Lake Street Dive will release Free Yourself Up, its second album with Nonesuch Records, on May 4. The four-member band—drummer Michael Calabrese, bassist Bridget Kearney, singer Rachael Price, and guitarist/trumpeter Michael "McDuck" Olson—self-produced the album at Goosehead Palace Studios in Nashville with engineer Dan Knobler.
To Lake Street Dive, the title, Free Yourself Up, is both an exhortation to listeners and a statement of purpose for the band. In many ways, this is the band's most intimate and collaborative record, with the band working as a tightly knit unit to craft its ten songs. For this album, the quartet drafted touring keyboardist Akie Bermiss to join them in the studio as well as on stage. Adding another player to the process freed up the the band members to explore a wider range of instrumental textures, construct more full-bodied arrangements, and build on their well-known background harmonies.
2018 marks the 25th anniversary of Liz Phair’s landmark Exile in Guyville album. On May 4th, Matador Records will release Girly-Sound To Guyville, an extensive limited edition box set to celebrate the anniversary. The box set contains the first ever official release of the legendary Girly-Sound songs, which have been restored from their original three cassettes and mastered onto vinyl. It also contains a remastered double LP edition of Exile In Guyville and a 44 page book containing an extensive oral history, essays by Liz Phair and journalist Ann Powers, never before seen photographs, artwork and ephemera. Originally released in 1993, Exile In Guyville is a seminal album and a feminist landmark. Its legendary status has only grown over the years. It’s continually included in countless lists…Rolling Stone’s 500 Greatest albums of all time + 100 best albums of the 90s, Pitchfork’s Top 100 albums of the 90s, etc. Numerous essays and think pieces have been written about it and the number of accolades piled on is endless. Since the release of Exile in Guyville, Liz Phair has continued to defy expectation and break barriers. She has released five albums, and is currently working on a new one with Ryan Adams. She has also composed music for television shows and received awards for that work. In November, it was announced that she would be fulfilling a longtime dream to be an author, and she received a two-book deal with Random House. Her first book will be called Horror Stories which focuses on “heartbreak, motherhood, and everything in between.” “A landmark of foul-mouthed, compromised intimacy, a tortured confessional, a workout in female braggadocio, and a wellspring of penetrating self-analysis and audacity.” — The New Yorker “Maybe the greatest work of traditional American indie rock that anyone has ever made. It’s also probably the best road-trip album of its generation and the signal of a rare talent’s arrival. It deserves to be celebrated. Let’s do that.” — Stereogum
Spawned in Glastonbury, the British center of music festivals, Reef were born to deliver. The band found together in 1994, the height of brit-pop. Nevertheless, their sound was less like the Beatles and more accredited to The Rolling Stones and The Black Crows. It was a formula that payed, and which resulted in four incredibly well-received studio albums Replenish (UK #9, silver), Glow (UK #1, silver in first week, 38 weeks in charts), Rides (UK #3) and Getaway (UK #15). Their success and steadfast fan base can not only be credited to their great musical talent and signature style, but also to years and years of touring which earned them opening slots for The Rolling Stones or Soundgarden. Reef split ways in 2000 only to reunite again in 2010. Their return was well-overdue and the band nowhere near faded. In 2016, the band released the single 'How I Get Over' which made it to the Top 20 most played songs on BBC Radio 2 that year - all without being signed to a label.
If you attach credence to the name of Reef s albums allegorizing a specific phase of the band s history, Revelation is a special one. The band without a doubt have evolved musically well beyond their initial charm. 'Revelation' gives insight into this advancement, without giving any doubt that it is a true Reef album. Interestingly, the album also featured a duet with no other than Sheryl Crow. With songs like 'Revelation' or 'Like A Ship (Without A Sail)', the band doesn t simply try to copy their past sound but cleverly fuse their past musical experiences into what Reef is today a musically evolved and successful band which has accumulated a very devoted fan base and is full of new ideas. Revelation is available on CD, 180Gram Vinyl and Digital
Horse Feathers feels like a secret you don’t really want to share. Over twelve years and five albums, a passionate fan base has experienced this band as a precious commodity that they want to keep close to their hearts. The signifiers of the band are there: Justin Ringle’s warm tenor and taut lyrics that speak of work, love, and other struggles; but on this album less of the song dynamics are achieved with strings and more with an exciting new rhythm section steeped in Northern Soul, creating a sound that leaps into the spotlight. Diehard fans are going to have to make room in the club house for a lot more people – with this album, the Horse Feathers secret is officially out.
With the release of his highly anticipated debut album Mr. Jukebox via Third Man Records, Joshua Hedley will embrace the role he was born to play: this generation’s classic country champion.
An accomplished fiddle player, Hedley felt inexplicably drawn toward the instrument as a child. He got his hands on his own fiddle at age 8, and by 12, he was playing with middle-aged pickers at the VFW. At 19, he moved from his native Florida to Nashville, where he became an in-demand sideman at Robert’s Western World and other bars, and ultimately, a well-respected frontman. Armed with an easy croon and prodigious fiddle playing, he became known as the Mayor of Lower Broad. He hit the road to perform with artists including Jonny Fritz, Justin Townes Earle, and more, while the 2015 documentary Heartworn Highways Revisited featured Hedley prominently.
11th studio album from D.C. based electronic duo featuring artists: Mr. Lif, Sitali, Racquel Jones, Notch, Natalia Clavier, and Lou Lou Ghelichkhani. The 12 track Treasures from the Temple is a continuation from their last album Temple of I & I, recorded in Port Antonio. Blending their signature sound with classic dub, dancehall, and roots vibes. Download Card
Lord Huron to release new album, Vide Noir, on 4/20 via Republic Records. The album follows critically lauded EPs, 'Strange Trails' and 'Lonesome Tails', which has garnered over 400M streams to-date. Previous single 'The Night We Met' is best known for featuring in Netflix's '13 Reasons Why.' The band is currently on an extensive USA headlining tour through Summer 2018.
Old Crow Medicine Show have announced the release of their new studio album, Volunteer, due out April 20th, 2018 on Columbia Records Nashville. The album was recorded at the historic RCA Studio A and produced by Dave Cobb (Chris Stapleton, Jason Isbell, Sturgill Simpson).
The album arrives following years of anticipation and speculation, which reached a fever pitch as the outfit helmed by Maynard James Keenan and Billy Howerdel launched their Fall 2017 tour with the release of “The Doomed”. The band then ushered in the new year with the debut of the contemplative song, “Disillusioned”.
“Although I’m extremely excited to finally be completing this album after a 14-year hiatus,” explains Keenan. “I’m actually more excited that its intentional release date is serving a greater purpose. The 20th of April is Carina Round’s birthday. She is a dear friend who is extremely difficult to shop for. Pressure off. Of course, I must also note that the potheads are gonna be thrilled that this album comes out on 4-20. May it serve as a glorious soundtrack to accompany all of the giggling and vexing sounds of nibbling and snacking. Fingers crossed, Cheech & Chong will be proud.”
“Demos are these precious ideas that you love in their initial state,” adds Howerdel. “Then you collaborate, invite other ideas, and watch them progress. That’s the dynamics and growth of a great record. I feel we’ve made a great record.”
Eat The Elephant, which was co-produced by Dave Sardy (Autolux, Slayer), is being released in multiple formats including digital, CD, and double gatefold 180 gram vinyl. In advance of Record Store Day, a limited-edition independent retail exclusive version of the LP on white 180 gram vinyl with alternate cover will also be available.
John and TJ Osborne co-wrote every track on Port Saint Joe along with frequent collaborators Lee Thomas Miller, Kendall Marvel, Barry Dean, Shane McAnally, Troy Verges and more. The title, Port Saint Joe, reflects the small town on the Florida coast where the real-life siblings recorded the album.
“Port Saint Joe is a sonic representation of who we’ve become not only as a band but as people,” says John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”
TJ adds, “we shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process we had the most enjoyable and memorable recording experience of our lives.”
Vinyl LP pressing. 2018 fusion rock project from guitar legend, Shuggie Otis! Features commanding drummer Carmine Appice (Vanilla Fudge/Beck Bogert & Appice) and stellar bassist Tony Franklin (The Firm/Roy Harper). Shuggie Otis is a singer-songwriter, recording artist, and multi-instrumentalist. Otis's composition "Strawberry Letter 23" (as recorded by The Brothers Johnson) topped the Billboard R&B chart and reached #5 of the Billboard Hot 100 chart in 1977. He also achieved commercial success with his 1974 single "Inspiration Information" (from the album of the same name), reaching #56 on the R&B chart. Born in Los Angeles, California, Otis is the son of rhythm and blues pioneer, musician, bandleader, and impresario Johnny Otis who was of Greek descent and his wife Phyllis Walker who was of African American and Filipino descent.
When asked to describe the title track from his new record, Kyle Thomas—aka King Tuff—takes a deep breath. “It’s a song about hitting rock bottom,” he says. “I didn’t even know what I wanted to do anymore, but I still had this urge—this feeling—like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that’s what songwriting, and art in general, is about. You’re chasing something, there is something out there calling to you and you’re trying to get at it. ‘The Other’ is basically where songs come from, it’s the hidden world, it’s the mystery. It’s the invisible hand that guides you whenever you make something. It’s the thing I had to rediscover—the sort of voice I had to follow—to bring me back to making music again in a way that felt true and good.”
New Vinyl: $15.98 $14.38 Buy
The Wait is over…Actually, it’s back! Nearly three decades after going out of print, Metallica will release a remastered version of The $5.98 EP - Garage Days Re-Revisited on April 13, 2018 as part of thir ongoing remasters series via their own Blackened Recordings label.
Originally released over 30 years ago on August 21, 1987, the collection features the band covering songs by early Metallica influencers such as Diamond Head, Holocaust, Killing Joke, Budgie, and The Misfits. The five songs from the EP were later included as a part of the 1998 multi-platinum release Garage, Inc., but the band felt it was time to bring it back in the original formats!
Garage Days Re-Revisited was remastered by Chris Bellman at Bernie Grundman Mastering in Hollywood, CA
Cheyenne Valley Drive is the 3rd studio album (and the first on their brand new label Bud's Recording Services), by Austin's Greyhounds. The band has been aptly described as "ZZ Top meets Hall & Oats" for their blend of gritty guitar riffs, smooth rhythms and soulful R&B. Cheyenne Valley Drive is no exception. Co-writers and singers Anthony Farrell and Andrew Trube mix these elements deftly throughout the 10 tracks. The sessions were recorded and mixed at legendary Sam Phillips Recording in Memphis, TN by Grammy award winning engineer Matt Ross-Spang (Margot Price, Jason Isbell).
Recorded in Berlin with Robbie Moore, The City Of Bootmakers presents singer-songwriter L.A. Salami's inimitable adeptness at painting an aural picture - one that's pertinent to the times. He alludes to those in control, be it in London or further afield, who are able to gamble with the population's welfare, education and future.
Juliana Hatfield takes on 13 ONJ classics & deep cuts to honor one of her childhood heroes. This special vinyl edition is on colored vinyl and includes a digital download card.
"I have never not loved Olivia Newton-John. Her music has brought me so much pure joy throughout my life. I loved her when I was a child and I love her still. Her voice and her positive energy and her melodies have stood the test of time and they give me as much pleasure now as they ever did. Listening to her is an escape into a beautiful place. She has inspired me so much personally and I just wanted to give something back; to share some of these tremendous songs, reinterpreted, with love, by me." -Juliana Hatfield
One dollar from the sale of every album will be donated to the Olivia Newton-John Cancer Wellness & Research Centre (ONJ Centre), a nonprofit organization dedicated to providing patients with cancer access to leading medical treatment, breakthrough research, and the best in wellness and supportive care.
For Love in the Modern Age, Josh Rouse focuses on the slick, polished sounds of 1980s adult oriented pop/rock. Specific touchstone albums he references as inspiration are the debut albums from The Blue Nile and The Style Council, and Roxy Music s, Avalon. The album is loaded with synth sounds of the era, flourishes of saxophone and female vocal harmonies that reflect the polished, suit and tie, modern pop sounds of the 80s. Standout tracks on the album include the title track, "Women and the Wind," "I'm Your Man," and "Businessman." While the sounds on the Josh Rouse produced album hark back to the early 1980s, the songs are pure Rouse - soothing hooks and deceptively intricate arrangements that feel familiar and effortless.
Moosebumps: An Exploration Into Modern Day Horripilation is the incredible follow up album to the classic, critically acclaimed 1996 Dr. Octagon release Dr. Octagonecologyst, the inspired musical collaboration of legendary artists/producers Dan “The Automator”, MC Kool Keith & turntablist DJ Q-Bert. For the first time in 22 years Moosebumps reunites the dream team in studio & on stage! Features appearance from frequent Automator collaborator Del The Funky Homosapien on “3030 Meets The Doc Pt.1”.
That title isn't just some random number. 12 is indeed the 12th album from Canadian power-pop perennials Sloan, which means it's as good as Led Zeppelin IV, Black Sabbath's Vol. 4, and Chicago 4 all put together. But seriously: not only are Sloan the rare band to make it to their 12th record, and not only are Sloan the rare band to make it to their 12th record with all four original members, and not only are Sloan the rare band to make it to their 12th album with four original members who are equally prolific songwriters, they're arguably the only band to make it to their 12th album with four original members who are both equally prolific songwriters and all still working at the top of their respective games, sounding utterly ageless in the process. On 12, each of the four principals contribute three stellar songs that play to their core strengths: Patrick Pentland with the soaring rock anthems, Chris Murphy with the playful, participatory sing-alongs, Jay Ferguson with the jaunty prog-pop gems, and Andrew Scott with the whimsical innerspace explorations. Says Murphy, "I guess with the album title, we are showing off the fact the we have 12 records."