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A three-time Grammy nominee, Pat Green has become a cultural force across the country that has sold out venues from Nokia Theater in Time Square and House of Blues Los Angeles to the Houston Astrodome in Texas. Respected by his peers, he has co-written with artists ranging from Willie Nelson and Chris Stapleton to Jewel and Rob Thomas. Green’s explosive live shows have made him a fan favorite and a hot ticket landing tours with Willie Nelson, Kenny Chesney, Keith Urban and Dave Matthews Band. Named “the Springsteen of the South West” by People, Green has sold over 2 million records and has released 10 studio albums. He has a string of 15 hits on the Billboard Country Radio Chart and twelve #1 hits on the Texas Radio Chart including his latest single “Drinkin' Days,” which spent an impressive seven weeks at #1. He has been praised by Esquire, NPR, Rolling Stone, People, Billboard, USA Today, American Songwriter, Paste, The New York Times, The Los Angeles Times and has appeared on Jimmy Kimmel Live!, Austin City Limits and Late Show With David Letterman. His album “What I’m For” made its debut at #2 on the Billboard Top Country Albums Chart, which was followed by his critically acclaimed love letter to his fans “Home.”
Loma's enigmatic debut feels beautifully adrift in time and space. It's an album that takes you to a place you've never been, with a rare confidence in the strength of its own vision. Though it was recorded off a dirt road in rural Texas, there's no hint of country here: from the first airy notes of "Who Is Speaking?" to the decaying choir of "Black Willow," Loma create a hypnotic world of their own, where rustling leaves, fuzzed-out basses, panting dogs, prepared pianos, and a wilderness of percussion form a backdrop for Emily Cross's translucent voice. She's a steady, clear-eyed presence throughout, even among the heart-pounding pulses of "Relay Runner", the skittering drums of "Dark Oscillations" and the galloping release of "Joy"; in sparer songs like "Shadow Relief" and the haunting "I Don't Want Children," she's a fearless ally, swimming calmly with you against a powerful undertow. Loma is inviting but also beautifully self-contained, like a dream that stays with you all day. There's something here for lovers of Nina Nastasia or Broadcast, but also Linda Thompson, or The Silver Apples—even early Pink Floyd. But most of all, this arresting and mysterious album marks the arrival of a band whose first steps already feel timeless. Loma was recorded by the group at Dandy Sounds Studios in Dripping Springs, Texas and mastered by Greg Calbi at Sterling Sound. Loma is Emily Cross and Dan Duszynski (Cross Record), and Jonathan Meiburg (Shearwater).
Their name of their collaboration comes from an exit sign along Interstate 55 in Arkansas that says, "Marie/Lepanto." That exit sits about halfway between where Kinkel-Schuster grew up in Arkansas and Johnson's childhood home in Missouri. Alternating between the lo-fi folk of Kinkel-Schuster's recent solo work and a distorted indie rock that recalls Johnson's work in Centro-Matic, this debut album, "Tenkiller" finds their two voices shadowing one another, with Johnson’s battered vocals and Kinkel-Schuster’s wavering tenor complementing one another.
- Bitter Southerner