Alt/Indie

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Dirty Projectors

Dirty Projectors

Lamp Lit Prose [LP]

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‘Lamp Lit Prose’ arrives just over a year after 2017’s self-titled ‘Dirty Projectors.’ Here David Longstreth’s band returns with a new album that is the yang to the yin of the 2017 effort. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance. Guitars have returned to the Dirty Projectors’ world, intricate and gorgeous vocal harmony too. The album begins with “Right Now,” David singing, “there was silence in my heart, but now I’m striking up the band.” In addition to the core musicians and guests, LA string group the Calder Quartet, and The Brass Players of Los Angeles both appear on several songs. ‘Lamp Lit Prose’ is a recommitment to the sounds and ideals of Dirty Projectors, embracing the band’s trademarks while pushing forward the sonic envelope. Lamp Lit Prose will be the ninth release for Dirty Projectors and comes with collaborations from HAIM, Syd, Robin Pecknold, Rostam Batmanglij, Amber Mark, Empress Of and Dear Nora. Lamp Lit Prose was recorded at Ivo Shandor in Los Angeles.

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Deafheaven

Deafheaven was formed in 2010 by vocalist George Clarke and guitarist Kerry McCoy. They released their debut studio album Roads To Judah in 2011 . They added drummer Daniel Tracy to the group and released their breakthrough album Sunbather in 2013. After rounding out their line up with guitarist Shiv Mehra and bassist Stephen Clark—each subsequent live set felt like a religious experience for the bigger (and bigger) shows that followed. Their third album, and first for ANTI-, 2015’s New Bermuda, was heavier, sturdier, and more grounded in the dirt than Sunbather. They toured extensively to support New Bermuda playing tours and festivals with Lamb Of God, Anthrax, Danzig, and Gojira. Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its imper¬fection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation. Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom. Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.

Deafheaven
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Between The Buried And Me

Between the Buried and Me - Automata II - New CD Album This is PART TWO of BETWEEN THE BURIED AND ME’s two-part eighth album and introductory offering for Sumerian Records, Automata. The North Carolina quintet—Tommy Giles Rogers, Jr. [lead vocals, keyboards], Paul Waggoner [lead and rhythm guitar, backing and lead vocals], Dustie Waring [rhythm and lead guitar], Blake Richardson [drums], and Dan Briggs [bass, keyboards]—explore these themes by personally smashing boundaries once again. Automata marks the band’s first proper double LP-spanning concept. They continue to expand their ever-evolving style, upholding a tradition of progression in the process. Track Listing: 1. The Proverbial Bellow 2. Glide 3. Voice Of Trespass 4. The Grid

Between The Buried And Me
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The Jayhawks

The Jayhawks

Back Roads And Abandoned Motels [LP]

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Back Roads And Abandoned Motels consists of the Jayhawks' versions of songs originally written by front man Gary Louris with and for other artists, including "Come Cryin' to Me" (originally released on Natalie Maines' Mother in 2013); "Everybody Knows" and "Bitter End" (released on Dixie Chicks' Taking The Long Way in 2006); "Gonna Be a Darkness" (written and performed by Louris and Jakob Dylan for True Blood: Music From The HBO Original Series - Volume 3 in 2011); "Need You Tonight" (originally released on Scott Thomas' Matson Tweed in 2015); "El Dorado" (originally released on Carrie Rodriguez' She Ain't Me in 2008); "Bird Never Flies" (originally released on Ari Hest's The Break-In in 2007); "Backwards Women" (written with Wild Feathers but never recorded) and "Long Time Ago" (written with Emerson Hart of Tonic but never recorded). In addition the album premieres two brand-new songs.

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Rayland Baxter

Rayland Baxter’s new album is a dream realized. Since he first started writing music, this roving rock ‘n’ roll philosopher dreamed of a space where he could devote every waking hour to creating. The hard-touring musician finally found it in the form of an abandoned rubber band factory in Franklin, KY, where he covered the windows, threw a mattress on the floor, and with guitar and piano in tow, spent three straight months writing. At night he would sit and listen to the sounds around him: coyotes, the howling wind, the faint prattle of the nightly TV news. The result of this isolation quest is ‘Wide Awake’ (July 13/ATO Records), a ten-song collection that celebrates the best aspects of humanity and grasps at understanding the worst.

Rayland Baxter
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The Magic Numbers

The Magic Numbers

Outsiders [LP]

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Co-produced by Dave Izumi in Izumi's own Echo Zoo studio in Eastbourne, work began on Outsiders in early 2017. The album, though instantly recognisable as a Magic Numbers record in it's melodies, begins with a more raucous punch sonically. The confidence is more evident than ever before, noticeable immediately in the more bluesy, gnarly guitar sound. Songs like 'The Keeper', even having a distinct T. Rex feel. I've been revisiting lots of early rock'n'roll and blues records, Bo Diddley, Howlin' Wolf", Stodart explains. "I've fallen madly in love with the electric guitar again for sure. I love T. Rex, and Bowie. The silver lining of the sadness of losing ?David Bowie?? was that you go back and become obsessed again. Even the way he left us was a work of art.' There's also been a subtle but significant shift in Stodart's lyrical themes. 'It wasn't a conscious decision to refrain from looking inward but I did feel a shift creatively with the things I wanted to say and share this time around. It's allowed me the opportunity to play with characters like Michele & I have done on 'Ride Against The Wind" which we based upon a fictitious motorcycle girl gang who've grown tired of conforming and towing the line in their everyday lives." This sense of fun is also reflected in the occasional references Romeo throws in of other people's songs, such as namechecking Kate Bush's "Hounds Of Love", and "Everybody's Talkin'" by ?Fred Neil??. "I enjoy throwing in those things in a way to see if people notice, it makes songwriting more playful." The lead single is the epic Neil Young meets Fleetwood Mac" Sweet Divide". "The couplet "Maybe there's no grand design/What if this is all we find?" hints at a humanist, even atheist interpretation. "No-one knows what's to come," says Romeo. "We're all just fumbling in the dark, searching, sometimes it can be comforting to acknowledge that. The expansive, extraordinary "Runaways" is one of the album's standout moments. "It's a love song for the misfits in society" Romeo explains, 'It's saying we're 'scorned lovers' 'damaged goods' but let's stick together and embrace it, I think there's a beauty in that'

The Magic Numbers
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The Nude Party

The Nude Party

The Nude Party [LP]

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The Nude Party – one of 2018’s most groovy and dynamic rock records is produced by Oakley Munson of The Black Lips and recorded in Woodstock, NY at Dreamland Recording Studios, the circa-1896 former St. John’s Church. The self-titled album finds that formidable music machine cranked all the way to cosmic. Maybe it’s the electric waters of Lake Norman, NC where the band spent a primordial summer, or the upstate New York vibes that have beckoned American spiritualists and storytellers for a dozen generations, but something gives these cats a glow. At very least the numerology scans. Even when heartbreak crashes the party, like on the hilarious “Records,” the buoyancy of the band’s demeanor negates the inevitable bummer. From the self-aware irreverence of “Chevrolet Van” to the apocalyptic resignation of “War Is Coming,” The Nude Party surfs heavy wavelengths with elegance and grace.

The Nude Party
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Erasure

Erasure

World Be Live [LP]

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Erasure are delighted to announce a brand new live album, World Be Live, via Mute. Taken from their recent sold out European tour in support of 2017’s World Be Gone, the album was recorded across the band’s recent London shows at the Eventim Apollo in Hammersmith and completes the trilogy of album releases around the World Be Gone project which started with 2017’s World be Gone album and continued with the orchestral re-imagining of those songs, World Beyond, in March of this year. Featuring twenty-four classic tracks from throughout their career (including an exclusive cover of Blondie’s 1981 classic “Atomic”), World Be Live will be released as 2CD, 3LP, and digitally on July 6, 2018 via Mute.

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Goldfrapp

Goldfrapp

Silver Eye: Deluxe Edition

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Mute announces a special deluxe edition of Silver Eye, Goldfrapp’s acclaimed seventh album from 2017. If 2013’s Tales of Us, a set of noirish folk fables, roamed the same pastoral landscape as Felt Mountain and Seventh Tree, then Silver Eye (a reference to the moon) belongs to the pulsing, electronic lineage of Black Cherry and Supernature only deeper and darker. The common thread between these two modes, apart from the consistently exquisite arrangements and Alison Goldfrapp’s extraordinary voice, is a set of enduring preoccupations, which inform both the lyrics and the visual aesthetic. “Mysticism, ecstasy, ritual, contemplation, metamorphosis, the elemental,” says Goldfrapp, who took all of the photographs and creatively directed all artwork visuals. “I’ve realised that there are things I feel passionate about on a deep level and they’re in this record.” On Silver Eye, for the first time, Alison Goldfrapp and Will Gregory sought new collaborators as the songs were taking shape. They spent 10 days in Dallas with John Congleton, Grammy-winning producer of St. Vincent, John Grant and Wild Beasts. In London, they teamed up with electronic composer Bobby Krlic, aka The Haxan Cloak. Alison Goldfrapp describes Goldfrapp’s music-making as “a constant quest. I don’t think you ever feel like you’ve achieved everything, it’s impossible. You’re always searching, trying to attain some kind of utopia in what you do.” With Silver Eye, that search has taken them to yet another new place, one that’s full of mystery, menace and transcendent beauty. Goldfrapp’s quest continues. Featuring the original album plus remixes of such classic tracks as “Anymore” and “Systemagic” alongside two previously unreleased tracks (including a newly recorded version of “Ocean”), Silver Eye: Deluxe Edition will be released July 6, 2018 as a 2CD set and digitally via Mute.

Goldfrapp
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The Rock*A*Teens

The Rock*A*Teens

Sixth House [LP]

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Single LP on black vinyl in single sleeve. Includes coupon for full download

Born in Cabbagetown, Georgia, the Rock*A*Teens carved their signature echo-wrapped, wounded-heart music on the edges of the Atlanta music scene more than 20 years ago. Led by songwriter and lead singer/guitarist Christopher Lopez, the band released a handful of reverb-drenched singles and full-lengths on the independent Daemon and Merge labels in the late ’90s and early 2000s.

Following their reunion at the Merge 25 festival and the reissue of their last LP Sweet Bird of Youth (Merge, 2000), the group returned to touring and playing live. Restless with the need to move forward, the band began writing and recording new music.

Guided by a batch of home recordings and demos, Lopez, guitarist Justin Hughes, bassist William R. Joiner, and drummer Ballard Lesemann convened with Tim Delaney at Electron Gardens Studio and Rafael Pereira at Tribo Studios to shape their ideas into the glorious, bombastic new album Sixth House.

The Rock*A*Teens
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Jim James

Jim James

Uniform Distortion [LP]

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My head feels like it is exploding with the amount of information we are forced to consume on a daily basis, and how that information is so DISTORTED there is almost no longer any tangible truth,” says James. “The name of my new record is UNIFORM DISTORTION because I feel like there is this blanket distortion on society/media and the way we gather our ‘news and important information. More and more of us are feeling lost and looking for new ways out of this distortion and back to the truth…and finding hope in places like the desert where I write this now...finding hope in the land and in the water and in old books offering new ideas and most importantly in each other and love.

CHECK OUT THE SINGLES:

THROWBACK

and

JUST A FOOL

Jim James
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The Milk Carton Kids

The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pattengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”

The Milk Carton Kids
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The Essex Green

The Essex Green

Hardly Electronic [LP]

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Single LP on black vinyl with printed inner sleeve. Includes coupon for full download

Formed in Brooklyn in 1998, The Essex Green released four albums between 1999 and 2006. They became one of the few bands from the Northeast to be associated with the groundbreaking Elephant 6 Collective. Their unique blend of harmony-infused pop music culminated in the 2006 release of Cannibal Sea.

Sasha Bell, Jeff Baron, and Christopher Ziter were last seen together in the late aughts, waving from their van as they bid farewell to Brooklyn. And then, the unthinkable: The Essex Green went silent. But why? Legal cannabis? Climate change? Bad oysters? Nothing so dramatic. It was a simple promise made among them to chase down their separate dreams: Baron to build a houseboat and navigate the mighty Allegheny, Monongahela, and Ohio Rivers; Ziter to return to his home state of Vermont and lead local fermentation efforts; and Bell to decamp to Montana to study elk rutting.

Having achieved their goals or not, they vowed to break their silence in secret on the frigid waters of Lake Champlain during the blood moon eclipse of 2015 when the effect of the moon in Libra would be most powerful. Over the next two years, the three continued to meet and record in undisclosed locations. The result is Hardly Electronic, a music mapping of the trio’s personal journeys over the past decade.

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Ari Roar

Ari Roar

Calm Down [LP]

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Ari Roar's Calm draws on 1960's pop and modern DIY heroes for a set of lovingly languid, lo-fi miniatures. Depths of detail and lived experience bustle beneath effortlessly melodic surfaces; sure signs of a writer in confident command of his pitch. For Ari, Calm Down is a milestone in a journey that began in Dallas, Texas, where he started songwriting as a child on his family's ''super-old, out-of-tune piano''. With a tight run-time of 28 minutes and few of its 15 songs breaching the two-minute mark, Calm Down is not an album that overstates its case. ''Called In'' merges the influences of garage-pop and Grandaddy, while the brightly summery ''Windowsill'' and literal shaggy-dog tale ''Lost and Found'' show an easy lightness of narrative touch and mood control.

Ari Roar
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Melody's Echo Chamber

Melody's Echo Chamber

Bon Voyage [LP]

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Melody's Echo Chamber (aka Melody Prochet) has confirmed her second album, Bon Voyage, will be released on June 15th on Fat Possum Records. Made up of seven expansive tracks, Bon Voyage marries Melody's breathless soprano to the wildest sonic excursions, always pinned to an emphatic, clattering groove as she delivers her fables of spiritual search and emotional healing in multiple tongues (French, English and Swedish).

Bon Voyage is a collaborative record between Prochet and Dungen's Reine Fiske and The Amazing's Fredrik Swahn with Melody sculpting and producing the sessions as well as encouraging the players around her to experiment, often with instruments that might be less familiar to them. It also features special guests Gustav Esjtes and Johan Holmegaard (both from Dungen) and Nicholas Allbrook (Pond).

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Protomartyr

Protomartyr

Consolation EP [Vinyl]

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Following last year’s release of the critically acclaimed Domino debut, RELATIVES IN DESCENT, PROTOMARTYR are happy to announce CONSOLATION E.P., an EP of brand new material recorded in collaboration with KELLEY DEAL (THE BREEDERS) and MIKE MONTGOMERY (R. RING, AMPLINE). Recorded in MONTGOMERY’S own studio, Candyland, the EP’s four songs capture the breadth of mood and stylistic variety of a full-length PROTOMARTYR album - from the short sharp shock of the opener “Wait”, through the mutant pop of “Same Face In A Different Mirror”, the epic “Wheel of Fortune”, to the beautiful closer “You Always Win”. Add to this MONTGOMERY’S recording skill, KELLEY DEAL’S unparalleled vocals, and their arrangements that see the inclusion of Jocelyn Hatch (viola), Evan Ziporyn (bass clarinet), and Lori Goldston (cello), and CONSOLATION E.P. becomes a truly unique prospect in PROTOMARTYR’S discography.

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Tom Waits

Tom Waits

Bawlers [Remastered LP]

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The collection of 56 songs went far beyond a simple career retrospective. It dipped back as far as 1984 with the bulk of it’s songs hailing from the mid-nineties onward. Over 2/3 of the material had never been heard when originally released in 2006 and had 30 newly recorded songs. Orphans also featured a number of songs finding a home on a Waits’ album for the first time. They included Waits’ unique interpretations of songs by such diverse talents as The Ramones, Daniel Johnston, Kurt Weill & Bertolt Brecht and Leadbelly. These outtakes, rarities and the previously unreleased material were separately grouped into themes and named, Brawlers, Bawlers, and Bastards. And now these titles will be released individually. Brawlers is a collection of raucous blues and full-throated juke joint stomps Bawlers is a collection of Celtic and country ballads, waltzes, lullabies, piano and classic lyrical Waits’ songs Bastards is a collection of experimental music and strange tales.

Tom Waits
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Tom Waits

Tom Waits

Bastards [Remastered LP]

New Vinyl: $28.98   $26.08 Buy

The collection of 56 songs went far beyond a simple career retrospective. It dipped back as far as 1984 with the bulk of it’s songs hailing from the mid-nineties onward. Over 2/3 of the material had never been heard when originally released in 2006 and had 30 newly recorded songs. Orphans also featured a number of songs finding a home on a Waits’ album for the first time. They included Waits’ unique interpretations of songs by such diverse talents as The Ramones, Daniel Johnston, Kurt Weill & Bertolt Brecht and Leadbelly. These outtakes, rarities and the previously unreleased material were separately grouped into themes and named, Brawlers, Bawlers, and Bastards. And now these titles will be released individually. Brawlers is a collection of raucous blues and full-throated juke joint stomps Bawlers is a collection of Celtic and country ballads, waltzes, lullabies, piano and classic lyrical Waits’ songs Bastards is a collection of experimental music and strange tales.

Tom Waits
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Arthur Buck

Arthur Buck

Arthur Buck [LP]

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Video

Sometimes the catalyst for creating great art is simply being in the right place at the right time. For Arthur Buck, the new collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck, that place was Mexico, and that time was the fall of 2017.  Specifically, a little town off the Baja coast named Todos Santos, with the Sierra de la Laguna mountains to the east and the bright blue Pacific stretching out infinitely to the west. It is here that Buck has, for the last several years, held the Todos Santos Music Festival, which he created with his wife, Chloe Johnson, in 2012, shortly after R.E.M. called it a day. Among the many artists who have played the festival is Joseph Arthur, who also happened to leave behind a guitar—a Dobro, specifically—after his last appearance there. And so last year he made the trek down to Todos Santos to pick up the instrument. Which is where he ran into Peter Buck.

That was the beginning of Arthur Buck. The creative result of this relationship is a vibrant 11-song collection that captures the spontaneity at the heart of the project—right down to the 1-2-3-4 count off from Buck that opens the record—with sounds and styles meshed together in an easy, almost playful manner. Tchad Blake was brought in to mix the proceedings, and the result is the new Arthur Buck—the result of a shockingly productive burst of inspiration.

Arthur Buck
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Shannon Shaw

Shannon Shaw

Shannon In Nashville [LP]

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Shannon Shaw, the captivating vocalist, bassist, and founder of Shannon & the Clams, will strike out on her own for her first solo album, Shannon In Nashville. Produced by The Black Keys' Dan Auerbach at his Nashville studio, Easy Eye Sound, the album features a cast of revered old-school session musicians which have breathed life into notable records by Elvis Presley, Aretha Franklin, Willie Nelson, and John Prine, to name just a few. The album evokes the tear-jerking intonations of Brenda Lee and Patsy Cline and exudes a self-possessed melancholy that sets the scene for Shaw to comb through a personal history of love lost to time, circumstance, fear or neglect. "The way I typically write songs is: Something has happened to me and I want to encapsulate it. I want to trap and package it, so I can pull it out of my body, and look at it to get some perspective on this event that has affected me," says Shaw of the catharsis inherent in her song-writing process.

Shannon Shaw
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Holly Golightly

Holly Golightly

Singles Round-Up

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New digipack CD! Holly Golightly (real name) started her musical career as a founder member of all girl garage band Thee Headcoatees, a Billy Childish / Thee Headcoats splinter group in 1991. She spent four years as a Headcoatee before breaking away to release her debut record, The Good Things, in 1995. Where the Headcoatees sound was a blend of girl group sounds and three-chord garage-rock with all the original songs coming from the pen of Billy Childish, Holly's solo sound is more a blend of pre-rock electric blues, folk rock, and less frantic rock 'n' roll. Apart from the wide range of covers of such artists as Willie Dixon, Ike Turner, Lee Hazelwood, Wreckless Eric, and Bill Withers, Golightly also writes most of her own material. Holly Golightly is definitely the most interesting and diverse artist to come out of the Billy Childish school and is certainly one of the better singer/songwriters of the post-grunge era who gets better with every album. Since her debut in 1995, Golightly has been very prolific, releasing a string of classic long play records and loads of singles for a wide variety of labels as well as touring extensively in America, Australia & Europe. This double vinyl LP, (or single CD newly packaged in a digipack) compiles Holly's first twelve 7 singles, A & B-sides. It includes the bluesy 'No Big Thing' with its bar-room piano and harmonica backing, the dirty guitar-driven 'Til I Get, the shuffling brushed drums and double bass of 'Come The Day, the haunting vocal and bottleneck guitar of 'Stain' and finishes with a brilliant up-tempo cover of Pavement's 'Box Elder'.

Holly Golightly
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Natalie Prass

Natalie Prass

The Future And The Past [Red LP]

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On the heels of her 2015 break-through debut album Natalie Prass’ new album ‘The Future and the Past’ is a celebratory & defiant impassioned call for compassion & love in the face of the current US political climate. Prass taps into deep, dancey grooves that glisten with 80s pop and 90s R&B nestled alongside quivering, lushly orchestrated ballads. The album was produced by Matthew E. White at his Spacebomb Studios & mixed by Blue (Solange, Nas, Blood Orange) & Michael Brauer (Coldplay, Phoenix)
Natalie Prass
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Father John Misty

Father John Misty

God's Favorite Customer [LP]

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*Loser Edition on metallic purple vinyl w/ jacket variation while supplies last*

Written largely in New York between summer 2016 and winter 2017, Josh Tillman’s fourth Father John Misty LP, God’s Favorite Customer, reflects on the experience of being caught between the vertigo of heartbreak and the manic throes of freedom.


God’s Favorite Customer reveals a bittersweetness and directness in Tillman’s songwriting, without sacrificing any of his wit or taste for the absurd. From “Mr. Tillman,” where he trains his lens on his own misadventure, to the cavernous pain of estrangement in “Please Don’t Die,” Tillman plays with perspective throughout to alternatingly hilarious and devastating effect. “We’re Only People (And There’s Not Much Anyone Can Do About That)” is a meditation on our inner lives and the limitations we experience in our attempts to give and receive love. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin. Together, these are songs that demand to know either real love or what comes after, and as the album progresses, that entreaty leads to discovering the latter’s true stakes.

God's Favorite Customer was produced by Tillman and recorded with Jonathan Rado (Foxygen), Dave Cerminara (Jonathan Wilson, Foster the People, Conor Oberst), and Trevor Spencer (FJM). The album features contributions from Haxan Cloak, Natalie Mering of Weyes Blood, longtime collaborator Jonathan Wilson, and members of Misty’s touring band.

Father John Misty
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Neko Case

Neko Case

Hell-On [2LP]

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Producer/singer/songwriter Neko Case has won a large and loyal audience for her smoky, sophisticated vocals and the downcast beauty of her music. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth. 

On June 1st, Anti- will release Neko Case’s ‘Hell On,’ an indelible collection of colorful, enigmatic storytelling that features some of her most daring, through-composed arrangements to date. Produced by Neko with help from Bjorn Yttling (Peter Bjorn & John), ‘Hell On’ is simultaneously the most accessible and most challenging album in a rich and varied career that’s offered plenty of both. Rife with withering self-critique, muted reflection, anthemic affirmation, and her unique poetic sensibility, the 12 tracks of ‘Hell On’ — which features collaborations such as Joey Burns, Beth Ditto, Kelly Hogan, KD Lang, AC Newman, Paul Rigby, Laura Veirs, and more.

Neko Case
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Oneohtrix Point Never

Oneohtrix Point Never

Age Of [LP]

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Oneohtrix Point Never's Age Of is an album of new music from the renowned musician, out June 1st on Warp Records. It s Daniel Lopatin s most cohesive and richly composed work to date weaving a tapestry of disparate musical histories early music, country and folk balladry, melodic pop, computer music and much, much more demonstrating both the complexity and range of the artist's repertoire. With sounds that are unsettlingly familiar and uniquely his own Age Of guides us through an unclassifiable new world.

Oneohtrix Point Never
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Ghost

Ghost

Prequelle [LP]

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Prequelle follows Ghost's third studio album, Meliora, and its accompanying EP Popestar, which elevated the Swedish rock band into the pantheon of the greatest rock bands on earth and resulted in a Grammy® Award for 'Best Metal Performance'. Prequelle delves into the plague, the apocalypse, and dark ages.

Ghost
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American Aquarium

American Aquarium

Things Change [LP]

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In the lush tobacco fields of North Carolina where BJ Barham was raised, people work hard. Families stay nearby, toiling and growing together. BJ loves those farms and his tiny Reidsville hometown, but he had to run off and start American Aquarium, a band now beloved by thousands. BJ couldn’t stay. But he couldn’t really leave, either: he’s still singing about the lessons, stories, and lives that define rural America––and him. Recorded at 3CG Records in Tulsa, Oklahoma, American Aquarium’s seventh studio album, Things Change was produced by Grammy-nominated singer-songwriter John Fulbright and features cameos from Americana standouts including John Moreland and Jamie Lin Wilson. Stacked with BJ’s signature storytelling––always deeply personal but also instantly relatable––Things Change questions and curses current events, shares one man’s intimate evolution, and leaves listeners with a priceless gift: hope. BJ’s candor has fueled American Aquarium’s runaway appeal, visible most clearly in consistently sold-out shows across the country and throughout Europe - between 200 and 250 dates a year. Much has changed for the band and BJ since their acclaimed last effort, Wolves. In 2017, every American Aquarium member save BJ quit the group. American Aquarium has featured about 30 players since BJ founded the outfit in 2006, and while each member has left indelible marks, the band has always been anchored by the literary songs and sometimes roaring, sometimes whispering, drawl of BJ Barham. Featuring a new band lineup that includes Shane Boeker on lead guitar, drummer Joey Bybee, bassist Ben Hussey, and Adam Kurtz on pedal steel and electric guitar, as well as a reinvigorated frontman in BJ, Things Change is American Aquarium’s first release on a label after selling thousands of records on their own.

American Aquarium
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Phil Cook

Phil Cook

People Are My Drug [LP]

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Transforming pain and injustice into love and compassion is a rendering that has been universal to poets and prophets for centuries. In present times, choosing to amplify community and positivity through art can seem like a radical act. With the arrival of People Are My Drug, Phil Cook is taking the spark from lights left on by musical heroes and offering a torch for listeners as they navigate their own dark corners. Where 2015's Southland Mission illuminated for listens what Phil Cook hears in his head, this latest record lays bare the way that music makes him feel. Side A alone, culminating with the shiver-inducing ''Another Mother's Son,'' has the capacity to light a fire in even the coldest of hearts. Having only recently stepped to the center of the stage as a solo artist, Cook now takes a moment, citing the power of community as his thesis statement. Each track asserts that he alone is no greater than the sum of the people who have brought him to this moment. Instead of standing on the shoulders of his heroes, Cook is humbly kneeling at their feet. Since Southland Mission, Cook has performed with childhood heroes including Mavis Staples, Bruce Hornsby, John Prine, Amy Ray and the Blind Boys of Alabama. Cook notes, ''I see life on a timeline that includes multi-generations. As someone who has sought mentors my whole life, I am honoring the people who shaped who I am, not only musically, but spiritually, emotionally and personally.'' He brings that forward in every note on People Are My Drug.

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Jeremy Enigk

Jeremy Enigk performed with legendary indie rock band Sunny Day Real Estate from 1993 to 2000. He was their singer, songwriter, and one of their guitarists. In 1996, following Sunny Day Real Estate’s first breakup (which lasted from 1995 to 1997), Enigk released his first solo album, Return of the Frog Queen. Return of the Frog Queen represents a major shift from the sound of Sunny Day Real Estate. The album features a 21-piece orchestra backing Enigk as he performs striking, dramatic, chamber-pop compositions that demonstrate the full breadth of Enigk’s talents as a singer, musician, and songwriter. The album was produced by Greg Williamson, who also produced Sunny Day Real Estate’s 1998 comeback album, How it Feels to Be Something On.

Jeremy Enigk
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Destroyer

Destroyer

Thief

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Destroyer
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Graveyard

Gothenburg, Sweden’s Graveyard has been flying the classic hard rock, blues and psychedelic rock banner since the band’s inception in 2006.

Graveyard
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The Flaming Lips

Seeing The Unseeable brings all four studio albums that the band released on Restless Records between 1984 and 1990: Hear It Is (1986), Oh My Gawd!!!...The Flaming Lips (1987), Telepathic Surgery (1989) and In A Priest Driven Ambulance (With Silver Sunshine Stares) (1990). Among the set’s many sonic treasures are: “Godzilla Flick,” “Unconsciously Screaming,” “One Million Billionth Of A Millisecond On A Sunday Morning” and their cover of the classic “(What A) Wonderful World.”  

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The set is also packed with rare recordings originally released as b-sides, flexi discs, and on various compilations like, the Sub Pop single “Strychnine/Peace, Love And Understanding” and a cover of “After The Gold Rush” from a 1989 Neil Young tribute album Also included is The Mushroom Tapes, the series of demos for the band’s final Restless album, In A Priest Driven Ambulance, only previously issued on the Rykodisc compilation CD, The Day They Shot A Hole In the Jesus Egg.
The Flaming Lips
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Xavier Rudd

Produced by Chris Bond (Ben Howard, Tom Speight) and mixed by Tim Palmer (Pearl Jam, David Bowie, U2), Xavier Rudd's forthcoming album Storm Boy - his ninth studio album, and first solo album in six years - showcases his incomparable songwriting craftsmanship and is an impressive addition to his ever-growing legacy.

Xavier Rudd
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Wand

Wand

Perfume

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Wand
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Courtney Barnett

Courtney Barnett

Tell Me How You Really Feel [LP]

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The Grammy and Brit nominated Courtney Barnett returns with her second album - ‘Tell Me How You Really Feel.’ It follows her critically acclaimed 2015 debut album ‘Sometimes I Sit And Think And Sometimes I Just Sit’, and a recent top 10 collaborative record, ‘Lotta Sea Lice’, with Kurt Vile. One of the most distinctive voices in music, Courtney is known for mixing witty observations with un inching self-assessment - fast forward to now and although all of the cleaver turns of phrase and an eye for story telling are still there; this new collection of songs see a more serious and outwardly tone capturing the current social landscape yet still retaining moments of intimacy and warmth. As the world becomes more familiar with Courtney Barnett these songs feel comforting and emphatic yet that raw energy and the ability to make the listener think still remain..
Courtney Barnett
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Parquet Courts

Parquet Courts

Wide Awake! [LP]

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Wide Awake! is New York’s Parquet Courts’ fifth record since their formation eight years ago. It’s also their most groundbreaking. It’s an album about independence and individuality but also about collectivity and communitarianism. Love is at its center. There’s also a freshness here, a breaking of new territory that’s testament to the group’s restless spirit. In part, this may be attributed to the fact that it’s produced by Brian Burton, better known as Danger Mouse, but it’s also simply a triumph of their songwriter’s art. The songs, written by Austin Brown and Andrew Savage, are filled with their traditional punk rock passion, as well as a lyrical tenderness, but are elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass). Ultimately then the message contained in Wide Awake! is complex. “In such a hateful era of culture, we stand in opposition to that — and to the nihilism used to cope with that — with ideas of passion and love,” Brown says. For Savage, it comes back to the deceptively complex goal of making people want to dance, powering the body for resistance through a combination of groove, joy, and indignation, “expressing anger constructively but without trying to accommodate anyone.” “The most exhilarating exercise from New York’s reigning indie-rockers laureate since their legend-making “Stoned and Starving” – as if you didn’t already have reason enough to be on high alert for Wide Awake!” – Stereogum “An urgent, fantastic return that sees the band at the very top of their game, and more together than ever” – DIY Mag

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Stephen Malkmus & The Jicks

Stephen Malkmus & The Jicks

Sparkle Hard [LP]

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The fact that Stephen Malkmus & The Jicks have thrived, rather than simply endured, over 17 years and delivered six albums of buzzy, sub-cultural significance, constitutes an impressive legacy. The challenge with album number seven is one that any successful band with integrity faces: how to safeguard that legacy and hold on to their identity without rehashing old ground (unthinkable), and also say something meaningful while (crucially) having fun doing it? With Sparkle Hard, Malkmus, Mike Clark (keyboards), Joanna Bolme (bass) and Jake Morris (drums) do exactly that. It’s light ’n’ breezy, head-down heavy, audacious, melancholic and reflective, goodtime and bodacious, and it pulls off the smartest trick: it’s both unmistakeably The Jicks and – due to the streamlining of their trademark tics and turns, plus the introduction of some unexpected flourishes (Auto-Tune! A fiddle! Guest vocalist Kim Gordon! One seven-minute song with an acoustic folk intro!) – The Jicks refashioned. If 2014’s Wig Out At Jag Bags balanced the lengthy prog workouts of Pig Lib with Mirror Traffic’s sparky pop moments, then Sparkle Hard bears less obvious direct relation to what’s come before. It also has turbocharged energy and enthusiasm by the truckload.

Stephen Malkmus & The Jicks
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Matt Costa

Matt Costa

Santa Rosa Fangs [LP]

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Santa Rosa Fangs is critically acclaimed California-based singer/songwriter Matt Costa’s new full-length, his first in five years. The album was produced by Peter Matthew Bauer (The Walkmen) and Nick Stumpf (French Kicks). The tale of Santa Rosa Fangs centers around a young woman named Sharon, her two brothers Ritchie and Tony, and their story of love, loss, and coming of age in a timeless yet contemporary California. It is replete with long distance love affairs and nostalgic romances woven through the loom of tragedy and time.

Matt Costa
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The Sidekicks

The Sidekicks

Happiness Hours [LP]

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On May 18, Ohio-based band The Sidekicks will release their fifth album, Happiness Hours. Nearly three years in the making, Happiness Hours follows 2015’s critically acclaimed Runners in the Nerved World.

Produced, engineered, and mixed by John Agnello (Sonic Youth, Dinosaur Jr., Kurt Vile), Happiness Hours features some of the sunniest, most ebullient songs The Sidekicks have ever recorded—all ringing guitars, charging drums, and soaring vocals. That dynamic is more than apparent on the infectious lead single “Twins Twist,” which premieres today.

With its warm harmonies and shining melody, bouncing groove and bittersweet lyrics, “Twins Twist” also reveals the more narrative-driven direction that The Sidekicks pursued in creating Happiness Hours. As vocalist/guitarist Steve Ciolek explains, those narratives reach squarely toward a kind of universal experience.

“They are relative to my life, but they aren’t just about me,” says Ciolek, whose bandmates include drummer Matt Climer, guitarist/vocalist Toby Reif, and bassist/vocalist Ryan Starinsky. “Unlike when you’re a kid, when every song has to be about falling in love or breaking up—about me, me, me—you get to a point when you really want your art to be inclusive. You want everyone to be able to locate themselves somehow in your songs.”

The Sidekicks
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Jonny Greenwood

Jonny Greenwood

Bodysong. [LP]

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Bodysong. is Jonny Greenwood’s first original score for a film, and makes up the soundtrack to a BAFTA winning documentary film of the same name, directed by Simon Pummell. Originally released in 2003, the reissue has been remastered by Christian Wright. With artwork by Stanley Donwood. Available on single gatefold LP and CD. Radiohead play sold out shows across North America this summer (including 4 sold out nights at NYC’s Madison Square Garden) . Beyond Bodysong, Jonny Greenwood has also scored: Paul Thomas Anderson films: There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Phantom Thread (2017) for which he was nominated for an Oscar Along with these additional films: Norwegian Wood (directed by Tran Anh Hung) - 2019 We Need To Talk About Kevin (directed by Lynne Ramsay)- 2011 You Were Never Really Here (directed by Lynne Ramsay) - 2017 “Experience the sound of a life as imagined by Jonny Greenwood, all in the span of 45 minutes.” Paste Magazine “Bodysong boasts an abundance of forward-looking ideas and possibilities, a conversation between melody and cacophony that can provoke with finesse. Not only a worthy side project from one of the most popular groups in the world today, but a valuable addition to the petite canon of successful rock soundtracks that lives and breathes on its merits alone.” Pop Matters “A collage of shimmering, impressionistic strings and pianos that occasionally give way to lightly rocking acoustic guitar interludes, Stockhausen-esque cacophonies and Penderecki-inspired discord. One moment can sound like a church organ, another a Twenties jazz party.” Rolling Stone

Jonny Greenwood
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Beach House

Beach House

7 [LP]

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7 is our 7th full-length record. At its release, we will have been a band for over 13 years. We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally. As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. Basically, we let our creative moods, instead of instrumentation, dictate the album’s feel. For 7, we built a "home" studio, and began all of the songs there. Whenever we had a group of 3-4 songs that we were excited about, we would go to a “proper” recording studio and finish recording them there, in the process shortening the amount of time between the original idea and the finished song (of the album’s 11 songs, 8 were finished at Carriage House in Stamford, CT and 2 at Palmetto Studio in Los Angeles). 7 didn’t have a producer in the traditional sense. James Barone, who became our live drummer in 2016, played on the entire record. We also worked with Sonic Boom (Peter Kember), who became a great force on this record by shedding conventions and helping to keep the songs alive, fresh and protected from the destructive forces of recording-studio over-production/over-perfection. The societal insanity of 2016-17 was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over. The discussions surrounding women’s issues were a constant source of inspiration and questioning. The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. In a more general sense, we are interested by the human mind's (and nature’s) tendency to create forces equal and opposite to those present. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology. 1 and 7 have always shared a common look, so 7 feels like the perfect step in the sequence to act as a restart or “semi-first.” Most early religions also had a fascination with 7 as being the highest level of spirituality, as in "Seventh Heaven.” At our best creative moments, we felt we were channeling some kind of heavy truth, and we sincerely hope the listeners will feel that. Much Love, Beach House

Beach House
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La Luz

La Luz

Floating Features [LP]

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Los Angeles has often been described as a “dream factory”--both a mecca where dreamers converge to pursue long-held aspirations, and a topography of hallucinogenic contradictions: enchanting tangerine sunsets diffused by smog, crystal-clutching spiritualists mingling with deep-pocketed narcissists, rows of scenic palms competing with garish billboards for commuters’ attention. It was against this backdrop that the four members of La Luz--singer/guitarist Shana Cleveland, drummer Marian Li Pino, keyboardist Alice Sandahl, and bassist Lena Simon--conceived of Floating Features, the band’s third studio album. For this, their most ambitious release yet, La Luz consulted landscapes both physical and psychological. References to dreams abound on Floating Features. “Loose Teeth” catalyzes nightmare fuel into a propulsive, intentionally-disorienting collision of honeyed harmonies and Takeshi Terauchi-esque jetstreams of distorted surf guitar. “Mean Dream” unsurprisingly mines dreamstate imagery, and the lyrics and melody for “Walking Into the Sun” actually came to Cleveland during a particularly-vivid night of deep sleep. Looming over the album’s coterie of surreal figures (gargantuan cicadas, a monstrous “Creature,” The Sun King, aliens, the titular “Lonely Dozer”) is the magnificent “Greed Machine,” a skulking, insatiable engine of consumption--Nathanael West’s “business of dreams” fearsomely manifested. To bring these visions to stereophonic life, La Luz pivoted from the DIY trailer-park brio of It’s Alive and the gritted-up urgency of Weirdo Shrine toward lush, hi-fidelity production value. Li Pino’s drums have never sounded more thunderously muscular, Simon’s basslines more robust-yet-agile, Sandahl’s organ melodies more complementary, Cleveland’s layers of guitar more versatile, or the group’s trademark harmonies more bewitching and rapturous. For every one of Floating Features’ seismic crescendos, there are just as many small, evocative details coloring its somnambulist soundscape. Only La Luz could conjure up Floating Features’ Leone-on-LSD vibes, and the album finds the L.A. band at the height of their powers--golden rebels in a golden dream.

La Luz
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Mark Kozelek

Mark Kozelek

Mark Kozelek

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Recorded at Mark Hopkins Hotel, Seal Rock Inn, Hyde Street Studios, San Francisco May 11, 2017 through January 26th, 2018. All music by Mark Kozelek except drums on 'Sublime' by Steve Shelley.
Mark Kozelek
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Arctic Monkeys

Arctic Monkeys return with their new album, entitled ‘Tranquility Base Hotel & Casino’ on Friday the 11th of May 2018. Produced by James Ford and Alex Turner, the album was recorded in Los Angeles, Paris and London.

Arctic Monkeys
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Simian Mobile Disco

Simian Mobile Disco

Murmurations [2LP]

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Simian Mobile Disco return with their 5th album and, never a pair of men to rest on their laurels, James Ford and Jas Shaw have switched things up this time by choosing to collaborate with London's all-female, Deep Throat Choir. The end result is SMD's most lush and sumptuous music to date - combining their unparalleled production talents across layers of synths & percussion with Deep Throat Choir's unique brand of choral vocals. From more song-based forms such as "Hey Sister" or "Caught In A Wave" to tracks like "A Perfect Swarm" or "V Formation" where the duo directed the choir to create drones and phrases that they could then work into their more techno-based productions. Murmurations is a thrilling return from Simian Mobile Disco. 2xLP includes download code.

Simian Mobile Disco
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King Gizzard & The Lizard Wizard

Available on 180gm bone-coloured vinyl and CD. Back in November last year, psych-rock overlords King Gizzard & The Lizard Wizard announced they'd be giving away Polygondwanaland - their fourth LP of the year - for free and for everyone to do with as they please. Naturally, it was pretty inevitable that it was to be given the Fuzz Club treatment. Priding themselves on high-quality vinyl pressings, Fuzz Club have created a must for audiophiles and record collectors alike. The lacquer was cut at half-speed by engineer-extraordinaire Miles Showell (The Beatles, Rolling Stones, The Who) over at Abbey Road Studios, which means that every tiny little detail of King Gizzards wonky, hedonistic sonic prowess has made its way into the record's grooves. Not only will it sound absolutely incredible but it'll also look the part too. With alternative artwork, the LP is housed in a deluxe tip-on gatefold jacket with printed inner-sleeves and glued inside the gatefold will be a 16-page booklet which includes lyrics and a bunch of reworked illustrations taken from the original artwork provided by the band. Aside from all of that, Polygondwanaland also happens to be the Australian band's finest record to date. Whilst on their previous albums they've dealt in everything from jazz, soul and folk through to krautrock, stoner and doom, on this collection of tracks the Australian heavyweights hone their batch to psych-freak-outs into ten mind altering prog-tainted jams

King Gizzard & The Lizard Wizard
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Marian Hill

Marian Hill

Unusual [LP]

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Marian Hill’s sophomore album ‘Unusual’ evolves the sonic and soulful adventure Samantha Gongol and Jeremy Lloyd began on their debut album ‘Act One’ & breakthrough platinum single ‘Down,’ which reached Top 10 on Top 40 radio and Top 25 on the Billboard Hot 100 charts. The duo is already confirmed for highly coveted performances at the Coachella and Firefly Music Festivals & a spring headline tour, which launches in April!

Marian Hill
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Black Moth Super Rainbow

Black Moth Super Rainbow

Panic Blooms [LP]

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Dark & intense 2018 album from trippy, hallucinatory psych outfit led by producer Tobacco, "a fucked up and bleeding account of depression & the shadow side of human frailty"

Black Moth Super Rainbow
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Brian Eno

Music For Installations is a collection of new, rare and previously unreleased music, all of which was recorded by Brian Eno for use in his installations covering the period from 1986 until the present and beyond.  Over this time, he has emerged as the leading exponent of “generative” music worldwide and is recognised as one of the foremost audio-visual installation artists of his time.  

Brian Eno
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